Saturday, September 5, 2026

Doesn't everyone write the first chapter when the first draft is more than halfway finished?

 I can't write that part first, I barely know these people yet. I need to take them through lots of adventures first, and I have to do background research. For this one, I was reading some terrific Asian-American history books recommended by a friend, because I knew the "Monica" character (I don't think that's going to be her name in the final draft but I'm rolling with it for now) was mixed-race like a lot of San Franciscans but I wasn't exactly sure of the details and how they all got together. And I'm still not, but I have a few touchstones that are all going into Ruth's closing argument. 

Plus I got fascinated by the Abuela Livia character and the idea of Filipino dance halls where folks would get together to flaunt stupid American laws regarding who could get married and who was guilty of the crime of miscegenation. The Foghorn Theater is kind of a composite of the Mabuhay Gardens, the Fillmore Ballroom, and the Warfield. And I name-check the historic drag bar Finocchio's, which was right near the Mab and the Stone and the Condor Club back when it had light-up nipples. 

In fact, I really wouldn't be surprised if this novel ends up having a dream sequence in which Abuela Livia appears to perform a big song-and-dance number about why her granddaughter needs to win this lawsuit. And this, ladies and gents, is why I'm not particularly afraid of AIs replacing me as a novelist.

       --Yer Humble Author


CHAPTER ONE

The walls of the Foghorn Theater were vibrating as the current band stormed through their cover version of Jefferson Airplane’s White Rabbit, now with electronic percussion and an extended keyboard solo. Ruth was sitting upstairs, in an alcove reserved for ushers like her, along with other employees. Looking at a framed photo of a sixties rock star whose name she couldn't recall, sitting on the Foghorn stage holding an acoustic guitar. 

Ruth hadn’t recognized him, or any of the other acts showcased in the photos and posters covering the walls. She had grown up home-schooled and isolated from pop culture, until the Miracle Of The Scholarship had happened, nearly ten years ago, thanks to the late Dottie Roberts. Who had grown up in the same small Wisconsin town as Ruth, and left for the greener grass of Minneapolis, and then Tampa Bay, and then San Francisco, where she had settled down, purchased a Victorian apartment building, and focused her attention on making money. 

Dottie made quite a bit. Since she skipped past the husband-and-children stage, she left it all to a scholarship fund which granted ten lucky students a full ride through their bachelor’s and continuing all the way to doctorhood if they were so inclined. For one of those lucky students, the deal came bundled with the seventh floor apartment in said aforementioned Victorian apartment building. Which had no heat or elevators or laundry, and occasional spiders, but it was very close to a decent law school. From which Ruth had recently graduated.

Passing the bar had been easy. The hard part would be snagging a grown-up lawyer job before the apartment was passed along to the next lucky student, because it would take a lawyerly kind of salary to rent a new place. Ruth currently was only making an usherly kind of salary, which was enough to keep her fed, dressed, and supplied with electricity, but didn’t allow for many luxuries. She was signed up with seventeen different recruiters but was having trouble getting attention from employers. She was discovering most of them had a distinct preference for candidates who had gone to high school. 

“I can’t get into this band.” Ruth’s co-worker Monica sighed. She was dressed the same as Ruth, in a retro usher’s uniform with a pillbox hat, a bib-front shirt and a floppy bow tie. In dark maroon, to compliment the polished redwood and wine-colored carpet. 

Aside from the identical clothes, the two of them looked very different. Ruth had straight brown hair tied back in an elastic band, a minimal smudge of eyeliner, and sturdy black ankle-high boots with low heels. 

Monica’s hair was currently both teal and purple, with a band of undyed black roots signifying it wouldn’t be long before she changed it to something new. Last month it had been pink and orange. She had piercings in her nose and left eyebrow, and four on each ear. Each of her fingernails was a different color. Colorful tattoos peeked from her wrist-length sleeves and knee-length skirt. She also had ankle-high boots, but they were Doc Martens in teal and purple paisley, matching her hair. Monica owned many colorful pairs of Doc Martens, and Converse high tops too. She also liked jewelry, and today she had on three necklaces and at least nine bracelets. Not the delicate kind made of metal, the cheap kind that popped with color. 

“They didn’t draw much of a crowd,” Ruth said. Which was the reason the two of them were lounging on the couch in the employee alcove, waiting for it to be time to gesture the patrons toward the exit. 

There were several other framed photos on the wall, and one of them depicted a women who strongly resembled Monica, standing in front of a big square microphone, flanked by horn players. Instead of loud jewelry she had flowers in her hair, which was styled in an intricate post-flapper cascade of curls. Instead of piercings, she had a heart-shaped mole on her cheekbone. Instead of an usher’s uniform she ore a dress slathered in beads and feathers. But the smile was the same. 

The lady in the photo was Monica’s grandmother, Ruth had learned when she’d first started here. The Foghorn had began as a vaudeville theater where crooners and comics entertained the pre-television masses. In the twenties the floor seats were removed, transforming it into a dance hall, and that was when Olivia XXLASTNAME had charmed crowds with her vocals. The place fell into seedy disrepair in the sixties, but in the late seventies it became a punk club, and by the nineties, it was successful enough to deserve restoration, with new velvet seats and repainted ceiling cherubs. That burst didn’t last long, and these days it was a venue for up-and-comings, down-and-fadings, and never-going-anywhere-but-that’s-okays. 

And Ruth still didn’t know much about all the pop culture she’d been shielded from. She occasionally encountered a song she wanted to hear again but eventually it all became ignored background noise as she dived into some wall of text, eyeballs first. 

She liked being an usher, though. Right this way, spacy disoriented people. You’ve just been dazzled by a performance but fortunately I am immune to that sort of thing, so I shall be your guide. The alcohol is this way, in case you’d like to obliterate a few brain cells, but please don’t look like you’re about to barf, or I shall summon the bouncers. 

“That band last week was fire,” Monica said. “Kind of Cajun hip-hop dance funk.” 

Ruth and Monica had bonded in spite of their differences, or possibly because of them. Monica took her role as Ruth’s pop culture emissary quite seriously, patiently explaining terms like “shoegaze” and “ska.” She was as nerdy about music as Ruth was about her studies. In fact, both of them were likely to drone on happily about their obsessions to each other, even if only five or ten percent of it actually registered. 

They were both nerdy about San Francisco. Monica was a fourth-generation San Franciscan and knew all kinds of cool historical details. She was always recommending out-of-the-way attractions like mosaic staircases and tiny parks, and Ruth had never been disappointed by her suggestions. 

She thought of Monica as a friend. They had never been to each others’ houses or formally gone anywhere together, but they spent three to five nights a week at the theater, depending on the schedule, and there always seemed to be a slow moment where they could chat. 

And Monica would have a drink. She liked her alcohol. She always smelled of it. After they’d been working together for a few years she mentioned to Ruth that she’d lost her license, so it was a good thing she lived in a place with good public transit. She wasn’t technically supposed to be drinking at work, but Ruth didn’t care. She never got sloppy and disruptive like some of the patrons occasionally did. 

Ruth didn’t drink; instead she’d smile and shake her head, and apologetically say she wasn’t very good at vices. She didn’t like the taste of alcohol, or the effects, and she’d grown up in a completely dry household where it had no particular mystique. 

She’d inhaled considerable amounts of second-hand cannabis, which was a popular thing in her neighborhood, and it didn’t do much for her. She wasn’t bothered by it, but she’d never sought it out on her own. She knew there were lots of other drugs available in San Francisco, such as the one that made people stand on the sidewalk bent over at a sharp angle, but she wanted nothing to do with them. 

She wasn’t particularly interested in sex either. She knew that lots of people came to San Francisco for the sexual expression. She came here because it was free, but also because it was faraway, and exotic, and regarded with suspicion by her conservative family. Love hadn’t factored into the equation. Sometimes Ruth wondered if she was a lesbian, since she had zero interest in men, but then she had to reflect that she was probably straight, since she had zero interest in women. 

Other times she assumed her libido was just hiding until she established herself in life. Education, job, income, home – once those things were nailed down she’d be free to think about finding a partner. Until that moment, she was quite aware that becoming overly fond of vices could destroy her plans.

And Monica had never initiated any kind of flirtation of any kind. That had happened to Ruth a few times when she was new in the city. Monica was more like an older sister, which made it slightly shocking to find out Monica had a daughter the same age as Ruth. Which she completely avoided mentioning until they’d known each other four or five years. 

It had happened after Ruth dealt with a drunk patron who grabbed her butt – or tried to, but she managed to avoid him while signaling the bouncer. Who escorted the harasser to the sidewalk as he screamed about how he was the sexiest guy who had ever tried to be grab her, and she should be more appreciative.

“I wish my daughter was that good at rejection,” she’d said, impressed.

“You have a daughter?” Ruth had blinked. 

“Oh yeah,” Monica replied. “She probably would’ve been appreciative.”

To be fair, Ruth never talked to Monica about her family, other than one time when they’d both been working Christmas Eve, and she’d matter-of-factly said she’d probably never see her family again. Monica had blinked at that. 

They talked about everything else. Politics. School. Lawyers. Pop culture. 

And Olivia XXLASTNAME, who was “the Mexican Peggy Lee” according to one of her posters. Monica explained that there was a time in the recent past when Filipinos, as well as other people of Asian descent, were not allowed to be United States citizens, just resident aliens. And there was a huge gender imbalance, so most of them were men. It wasn’t legal for white American women to marry Asian men, although some of them found solutions like conducting the wedding ceremony aboard a boat in international waters. 

But they could marry Mexican-American women, and then their children would be American citizens, so lots of them did. Like Olivia, who had married her Filipino bandleader. And like quite a few of the women who frequented the Foghorn Theater in its dance hall days, to the consternation of the local Mexican-American men.

“She told me it was a lot like what the gays went through, having to meet in special bars and clubs, and sneaking around. You could get in all kinds of trouble for dating outside your race back then. She always loved her gay fans. She used to drag me to this bar called Finocchio’s. I was too young but people knew people, ya know, and I got to watch all these outrageous drag queens, and sometimes they’d dress up just like Abuela Livia back when she used to perform, except with bigger hair.” 

Abuela Livia was merely one of Monica’s colorful ancestors. There was also a real live 1849er gold miner, a Honolulu picture bride, a Chinese waiter, the daughter of a Japanese strawberry farmer who lost his farm due to the internment during World War Two, a French-Canadian luthier who briefly ran a guitar shop in the lower Haight before becoming a meditation instructor at Esalen, a Russian restauranteur renowned for a trio of multilingual and blasphemous parrots who lived in a massive cage behind the bar. 

Ruth, an adoptee, was in the dark regarding her own family tree. She enjoyed hearing about Monica’s. People back home had occasionally speculated Ruth might be part Mexican or Chinese or some other kind of person with dark straight hair, since quite a lot of the people living nearby had lighter and curlier hair. Especially in the summer, because she tended to tan fast. 

“Are you working tomorrow, for that tribute band? I’ve got the night off. I’m getting sworn in tomorrow, so I’ll be officially allowed to practice law. A bunch of us are going to dinner after. I’m not going to drink but I might do karaoke if we go there.” 

“Wow, sworn in! I remember when you were in your first year. Yeah, tomorrow’s sold out, but don’t sweat it. Their fans aren’t going to get rowdy. They’re all older than my mom. It’s gonna be -- ” 

Monica’s phone, which was perpetually turned to silent, visibly vibrated in the pocket of her uniform. She sighed again and pulled it out. 

Ruth saw “San Francisco Police Department” flash across the screen. 

“Oh shit.” Monica stared at her phone for a moment before accepting the call. 

Ruth stood up and moved away, giving her some space. “I’ll just go check on the –”

Monica’s phone clunked heavily to the floor. Ruth could hear a small amplified voice saying “identify the body. Hello?”

Monica was sitting absolutely still, with tears flooding from her eyes, streaking her mascara down her cheeks.



Thursday, September 3, 2026

Best Part Of Worldcon (IMHO)

Uwu and Bloobered were my emotional support Labubus during the K-Pop Demon Hunters Geek Out, but I didn't need too much support because the room was full of fanlove. 

 


Post-Script: Neurodiversity Progress, Departing Worldcon and Encountering David Gerrold

I was thinking I would have companions for this Disney visit but I was solo both days, wandering around wearing my Disneybounds with Labubus as fashion accents. I ate a lot (Bengal BBQ, Red Rose Taverne, Jolly Holiday CafĂ©, Tiana’s Place … and a churro … and some churro toffee), walked a lot, rode Rise of the Resistance three times because the Labubus insisted. 

Puttered around in the museums and shops … made chitchat with the older cast members who do things like bus tables because they love being there … complimented small princesses on their fashion choices … sat around on benches, happily observing the humans and their younglings having fun. I enjoy Disney whether I'm solo or accompanied.

I woke up bright and early Tuesday for my flight home, feeling happy both thanks to my recent Disneyland infusion and the fact I was going to spend a whole day off my feet, culminating in an encounter with my very own bed. I put on my new Disney shirt – mint green with “Disneyland” and a rhinestone-bedazzled Thumper on the front. (My favorite color PLUS a bunny? Must have.) I rolled my bright magenta suitcase down the hall and to the shuttle stop. 

Where I found David Gerrold, along with some other Worldconites, waiting for the shuttle. 

Here’s my history with David Gerrold, who is one of the biggest deals at Worldcon. As a matter of fact, he was the man who presented the award for Best Movie Hugo, formally enscribing Sinners with the winners and my beloved K-Pop Demon Hunters with the also-rans.

As I expected. Maybe some of the folks in this crowd felt similarly when Star Wars lost the best picture Oscar to Annie Hall. 

But I’m a smart little futurist, and I deliberately chose to be watching those scallawag pirates ransack that unfortunate port town yet again, while encouraging them by singing along. Instead of getting disappointed by David Gerrold again. 

He’s quite a big deal on Facebook, and when I first started attending these conventions ten years ago, I was a little starstruck, and eager to be in his vast crowd of followers. As a noob writer I sent friendvites to anyone who seemed writerly, and I was excited when he accepted. Look at me, hanging out with the celebrity writers, even though I’m merely a permanent noob. 

Or actually what I am is a tourist. I wrote in my last blog entry about never quite finding “my people” – but instead, I learned how to quickly insert myself into a scene and figure out whether I’m happy enough there to linger. I’m kind of commitment phobic, so I don’t have anyone else’s intellectual property tattooed on my hide, and I don’t see myself becoming a full-time fangirl for anything in particular. But I can spend a weekend being in the BTS Army or wallowing in sci fi geekdom or chilling with the other toymakers discussing the intricacies of miniature tiki mugs. 

So I was having fun being in Gerrold’s fan army until the fateful day when I corrected him. He referred to Asperger’s Syndrome. I informed him that Asperger was a nazi, and that the term is no longer used clinically, and that some autistics were offended by it. He didn’t like that, and I was unfriended. 

He later reconsidered and sent me a friendvite again, so I accepted. Then I got unfriended a while later for mentioning that Robert A. Heinlein wrote fan letters to the Manson girls, which they auctioned off to fans. Unfriended again; dude does not like references to the Mansonites, even though I wasn’t particularly endorsing them. I was just pedantically stating facts again. 

Which I do. Professionally, informally, you name it. I’m a pedantic fact-checker. I realize that my kind are absolutely not welcome in certain contexts. However, in other contexts, I get encouraged, and compensated, for having my pedantic superpowers, and since code switching is complex, that’s the main reason I’m a tourist. 

So anyway, I’m there at the shuttle stop, and we collectively decide to cross the street and wait at the other shuttle stop. Some of us are young and healthy, with small bags and backpacks, but I’ve got my large wheely bag, plus I’m wearing my neck brace. I always wear it if I’m in a car that’ll be going on the freeway, a plane that could get turbulent, or other occasions where I might get slammed. 

David and I go the long way with our wheely bags; he makes a comment about I’m smart to go the long way and I said no, I just have a bad back. We get to the end of the line, he graciously gestures me to go in front. I tell him I’m Charon, but I also go by Lani, “you’ve unfriended me a couple times.” He introduces himself, “I’m David.” I say “I know.” 

We get our bags loaded into the shuttle, and I go sit in the back by myself while he sits with somebody else, continuing his loud inclusive conversation where he’s getting others to talk, in a nice extroverted friendly way. They’re talking about science fiction people reaching out to kids, teaching them science. 

And I was sitting back there thinking yeah, and teaching them dumb conspiracy theories too, and getting them to believe nonsense about telepathy and space aliens instead of focusing on real things like climate change and universal healthcare. Fifty years of heavy-handed anti-fascist propaganda barely slowed the fascists down. Plus there's all the damn gatekeeping.

But then I started considering that I had been on a panel regarding neurodivergence – from the side of encouraging neurodivergent people, and being supportive. 

There was another science fiction writer with whom I exchanged a bit of tension, regarding autism. He had posted about a nonverbal autistic boy participating in something SF-related, with the usual sort of “heartwarming inspiration about the disabled” kind of language, and I pointed out that autistic people are all over the place, they’re not all nonverbal children, and some are even competent adults.

Fast-forward to 2026, that writer, Chris Barkley, was posting about autistic writer Jason Sanford, who won Best Fan Writer Hugo this year. And has been subjected to a certain amount of harassment in the community, which tends to happen to neurodivergents. 

It's a lot better these days, and people aren’t getting exiled for stating facts. I do feel like I helped move the needle a little farther toward the neurodiversity acceptance zone, by taking point and being unpopular, and opening my big blunt mouth. And taking the risk of getting gatekept for it. 

I’m less blunt these days, so I didn’t come right out and tell David Gerrold “by the way, the bad guy in my in-progress courtroom drama is partially based on you.” 

I did morph him from a gay science fiction writer to a straight author of cowboy novels, and he’s got a different look and style, and he’s the owner of the house where the plaintiff met with her fatal accident, trying to argue to the jury that it was all her own fault. He’s not a villain – I don’t write those. He’s a self-interested opposing party, trying to brush away this pesky lawyer girl who wants his money. 

And he’s charismatic, and articulate, and my noob lawyer character is up against him, armed only with cold hard facts. Will he succeed in gatekeeping her from justice? Will the jury respond to his avuncular charm? I guess we’ll find out when I finish writing it. 

I’m glad I was in there helping to make science fiction a slightly more accommodating place, anyway. I’m maintaining my SFWA membership in case I ever feel like diving back in, but currently I’m wondering whether people who write lawyer novels ever have conventions near Disneyland. 


Wednesday, September 2, 2026

Post-Worldcon Exhaustion Syndrome

So I‘m back in reality, with my bills and my eternal quest for a comfortable chair. 

I did my four panels – moderating a couple of them. I think I did a mostly adequate job in all my capacities. There were a couple places where I stumbled, and I got to work with some panelists who are much more acclaimed than myself, which adds a fangirlish element of “OMG celebrities! Better not do anything stupid (like I frequently do) In front of them!” Actually pretty much all authors are in that category – I’m just a noob, although I’ve been a noob for a long time so I’m pretty experienced at it. I’m a more experienced moderator now, and I am aware of some pitfalls to avoid the next time I give it a try.

My favorite was the K-Pop Demon Hunters “geek out” – it took place in a nice informal little room with round tables. Some folks sat on the floor. We just talked about our love for the movie from various perspectives. There were all ages present, and people told their love stories with the film – one of my favorites was a singer who became enamored with the soundtrack while learning Golden to sing with his vocal group. It was low key, it was loving, it gave me a chance to wear my derpy tiger leggings in public.

The Geek Out was such a nice experience that it reinforced my decision to play hooky during the Hugo Awards, when, as I predicted, Sinners beat KDH. I think Sinners is flawed but good, and I think KDH is a history-making fluke that outperformed Disney, BTS, and many other entertainment industry powerhouses and I am lucky to have experienced it when it was relatively new so I could watch it take over the world.

And the fact that Sinners won reinforced that this is not my crowd, not really. People in this crowd often talk sentimentally about finding fandom being like “coming home.” It’s not like that for me. It’s like visiting some fractious cousins who grew up far away. Most of them belong to a weird religion and have all kinds of unspoken rules, and if you should happen to break one they’ll make a big example of you to impress their friends with their super devout adherence to the in-crowd’s standards. You're kinda family, but you're the next layer between close kin and total strangers. 

Except for the KDH panel. That was like finding a little haven, similar to when I escaped to Disneyland to be surrounded by my most pleasant childhood memories (and quite a few nice Disney Adult memories too).

I made a couple passes through the dealers’ room, where there was nothing I wanted to buy. No witty t-shirts, hardly any toys. Just rows and rows of self-pubbed authors trying to make eye contact with passersby, with occasional displays of the kind of jewelry I don’t wear. I ended up spending my merch budget at Disney.

I had vague plans to get a literary hoodie since I already have several music hoodies. Maybe DC Carl. But there were no such items, and DC Carl’s presence was limited to some moody fantasy art by an artist who was willing to draw any and all game characters in their particular style. And that’s basically what I found – a lot of creatives trying to peddle their own particular idiosyncratic style, which isn’t too unsafe or potentially problematic or drastically different from the style you’ll find at the booth next door. Everyone mining for gold – that fanbase, that TV deal, that merch license.

It's kind of a weird reversal from the prior science fictional scene, which was closer to monoculture and predicated on a fanbase where everyone had seen the same TV shows, read the same stories, kept up with the latest developments, and welcomed a chance for discussion. Now it’s more like everyone trying very hard to sell their own flavor of unicorns-and-wizards or spacefaring-adventure or cyberpunk intrigue. And none of it’s exactly bottled lightning, although I'm sure lots of it is way more entertaining than I realize. 

Meaning no disrespect, and speaking as a strictly average science fiction writer whose aims were sort of like those of these other folks: to be a creative, part of the crowd, part of the scene, having fun doing our own worldbuilding. Crafting.

This was my goal ten years ago, when I went to my first Worldcon, in Spokane. Partially in response to the Sad Puppies thing, to help vote them down, and partially because I had just finished my own first stab at science fiction and wanted to make sure the coast was clear as far as reactive cancel culture before putting myself out there.

Lots of things got in the way. The pandemic. The country’s weird shift toward fascism. Other people. My own self. My conflicting desires to write sci fi … no, horror … no, thrillers … no, horrific sci fi …

 But here’s the interesting part … a few of the things I’ve been quietly championing from my obscure corner have bloomed. We now have (gasp) neurodiversity acceptance content, and an autistic writer (Jason Sanford) won the Hugo for Best Fan Writer. That’s been my hobbyhorse for a while, and I’m glad to see other riders are joining the stampede.

And now we have K-Pop Demon Hunters. Which isn’t quite where I was aiming, I was writing something more like K-Pop Jurassic Park, but I knew there would be K-Pop involved, and capable yet romantic girls, and handsome bad boys.

I spent a lot of time at Disneyland meditating on my connection to the future, and the best conceptualization that I can come up with is that the future looks especially bright and sparkly to me. Sometimes I’ll hear a song. Or see a movie. Or get a glimpse of an especially energetic racehorse. Or check out a new musical act – this is one of my favorites, when I stumble across some band or singer that’s about to be huge.

 And they don’t know it yet, and I don’t know it either, but the aura around it just crackles, and all I can think about is “more of this!!” I’ve felt that for music artists like Billy Strings, and Taemin, who are as different as can be yet are both GOATs in their respective dimensions – and both of them just dropped new albums, which are both fantastic. I felt it for KDH the first time I saw it, when the tiger knocked over the flower pot and all I could think was “holy shit!” I felt it when I saw Michael Jackson moonwalk, when I heard Eddie Van Halen play Eruption, when Britney tapped her pen on that desk, when Donut remarked to Carl that sure was a lot of babies, when Carrie flexed at that rotten little bike-riding kid – that moment when some art-type thing utterly transfixed me with powerful, pulsating “this way to the future” vibes.

I basically live for that. There’s a rich vein of it here in San Francisco where I can mainline trendiness from the safety of my own domain. I might never write anything that trendy, and actually I kind of hope not, I really dislike being a public person. Sneaking around in the shadows of obscurity is actually way more fun if you do it correctly.

So I try to put energy into wherever I smell that sweet whiff of tomorrow, and lately it’s been more about K-Pop and neurodiversity than me making up my very own hand-worldbuilt world (based on somebody else’s world with the serial numbers filed off). If I end up using my DNA-given loquacity powers to further someone else’s interests rather than toot my own horn, I’m okay with it.

So I am going to write about lawyers for now, and court battles. Maybe I’ll eventually do one set in space. I’m keeping this sci fi blog going just in case I ever have a burning desire to do that, or commit more reviews.

Here’s my most-complimented Labubu fit from the entire weekend: Tinkerbubu. The ride operator on Peter Pan’s Flight approved of her, which made me feel warm inside. 




Tuesday, August 25, 2026

On My Way To Worldcon

My bag is mostly packed, except for last minute things like my recharger and my neck brace. Again, my panels are Oral Tradition and Neurodivergent Writing at 1 and 4 Thursday, and K-Pop Demon Hunters followed by Healthy Aging Brains at 1 and 4 Friday. 

My Labubus have their outfits all ready. I’m actually kind of glad the fad is fizzling so I can make them my own special unfashionable quirk. I’m not like those silly old ladies who collect Precious Moments and Hummels, I’m into fuzzy monsters. 

Saturday my plans are to wander randomly around, and take naps, with sporadic socializing, and then once I get through that I’m going to Disneyland. 

I don’t really have anything to sell or promote this time, and I don’t have a lot of expectations, so I’m thinking of just wandering around being present in the here-and-now, just to see how it feels. 

My body is being a wee bit difficult. I’m on a new med that works wonders for the nerve pain but makes me relatively lethargic, so instead of charging out of bed at 6 am and writing a couple thousand words before sunrise, I’m … napping. And sleeping late. And changing size, as I drop fat and gain muscle, in a quest to have something vaguely resembling the body I had in my 20s – in cubic displacement if nothing else. 

But I’m optimistic, and looking forward to connecting with other fans of things like Dungeon Crawler Carl and K-Pop Demon Hunters. I’ll let you know how it goes.


Monday, August 10, 2026

Official AI Policy: Not In My Art, Thanks

Recently there was a brouhaha in the writing community when Sephera Giron wrote an unpopular editorial and faced backlash – here’s File 770’s write-up.

I’ve written before that the only permissible opinion about AI in this community is that it’s all-bad and shouldn’t exist. 

My own opinion runs more to “it’s good for quite a few applications, such as medicine” and “latest permutation on punk collage art like Robert Mapplethorpe used to do” but my feeble room-reading skills are adequate enough to not allow me to go around accusing detractors of being ignorant Luddites. And yeah, I did do a book cover in AI, and the essay starts out by informing everyone that people who do that are not the enemy. 

Then I basically gave up on that last book, and speculative fiction apparently. I spent the next year or so unable to get any writing done until I decided to ditch SF entirely and write something based in the real world. 

Meanwhile, I have discovered people who actually prefer AI writing. 

One of my social media women’s groups has been plagued with AI slop essays, usually along the theme of “inspiring moments when women rose above sexism.” A couple months ago, one of them complained that she saw a movie about an inspiring female hero and it didn’t contain any of these inspiring moments – and that was the whole reason she had watched it, hoping it would be a fertile source of inspiring moments. 

I’m pretty sure the future will have plenty of streamable AI-written movies of AI-rendered people enjoying a steady stream of inspiring moments. And this is supposed to make me feel enraged, according to a lot of the other people I follow, who ceaselessly post essays about how AI and data centers will destroy humanity. 

But I try to avoid outrage. I mean, c’mon, I work with trial lawyers, that “inflame the jury” type arguing doesn’t really work that well on me. I have a pretty substantial resistance score in relation to bullshit arguments in general. 

Right now I consider myself more of a futurist than a science fictional type person. A futurist looks around and says “based on the evidence, I think this probably is going to happen.” Science fiction these days seems more about replacing that “probably is going to” with “should.” 

Other than a general blanket hope for minimal harm, I don’t really have any opinions about what we should or shouldn’t do. I have opinions about what I personally should not do, and the obligatory sharing of mass produced political opinions is right there on top. 

So with that in mind, I have No Opinion about AI, or data centers, from a “should” perspective. Mostly because if I did have opinions, expressing them wouldn’t really sway anyone capable of making changes. From a probability perspective, they’re a huge trend right now and will proliferate; learning about them is advantageous. 

Last time I had an emphatic opinion, it was about climate change, and it happened in the ‘80s, when I gave up my Cadillac, moved to a walkable city, and learned to embrace recycling. All my peers thought I was ridiculous as they moved to minimansions in Outer Burbaria and invested in gigantic SUVs. 

It wasn’t a moral opinion though. It was more like a probability, like data science – trying to figure out what’s going to happen anyway, and where to stand to avoid the worst of it. And I’ve been living in my walkable city, where the average temperature is in the sixties, going “yep, getting pretty warm out there.” And lately, “sure are a lot of robot cars and AI billboards around here.” 

Besides AI, there are a whole slew of things I have no “should” type opinions about. Religions, and people who follow them. Countries, and people who live in them. Orientations and genders and pronouns. Musical styles that I don’t follow. Sports. Whatever today’s ragebait is about. Things I can’t talk about due to my NDA. Things I won’t talk about because I am uninformed. 

Now I’ve been known to have an aesthetic opinion every so often, and I haven’t seen anything AI-produced that fits my definition of art. My sole involvement with AI “creativity” had to do with the desire to create a face that only existed in digital reality rather than trying to find a model to take a picture that I could digitally manipulate. Oh well, that certainly backfired. Still, I have no quarrel with those who object to AI attempts at visual and prose art. I tend to block it when I see it … but I also tend to block long bossy essays telling me why I should hate it more. For aesthetic reasons. 

At the end of the day, we’re going to be sharing our planet with some lying robots for the indefinite future. It’s a good idea to learn about them, since the window for “let’s just not invent them” appears to have passed.

We can choose when to involve them, however. I refuse to use AIs in my fiction. Or my music. 

Or in my fabric art, now that I think about it. Fabric art groups have been plagued with splendid photos of projects that can’t really be completed in the real world. Having to repeatedly explain that’s AI, if you bought a kit you got ripped off, you can’t make it, not possible. 

And that’s pretty much my opinion on AI. It doesn’t belong in my art the same way sardines do not belong on my pizza or sugar does not belong in my coffee. 

As far as the packaging … I tried it. Unsuccessful. Won’t try that again. 

As far as stern, sweeping opinions … fresh out. Try asking me something important, like which member of Ween is my favorite.